Nikkei Asia • 21st April 2023 Thai artists bring creativity to fight against pollution Northern Thailand's 'Art for Air 2' extravaganza paints sobering picture of life without clean air
ArtReview Asia • 20th April 2023 Kamin Lertchaiprasert: The Road to a ‘Spiritual Aesthetics’ Looking back on the artist’s life’s work which has come to draw from Buddhism, quantum mechanics, environmentalism and Asian arts & crafts
ArtReview Asia • 17th February 2023 Book Review: I Am An Artist (He Said) Araya Rasdjarmrearnsook plumbs the space between word and image – via postmodernism, macho artists, and Thailand’s ‘Art for Life’ movement
ArtReview Asia • 17th January 2023 The Zany, Something-For-All Appeal of the Thai Film Archive The twisted history of one of Thailand’s most generous and eclectic cultural institutions
Financial Times • 5th January 2023 Artist Mit Jai Inn: ‘My work is a process, a living condition, not painting’ His vivid, socially engaged work reflects on Thailand’s repressive politics and complex spirituality
ArtReview Asia • 15th December 2022 Let Orawan Arunrak Be Your Guide The artist’s sojourns and social engagements prompt slow considerations of fast lives, finding selfhood amid movement
ArtReview • 9th December 2022 ‘Ghost:2565’ Review: The Spectre of Something Better Live without Dead Time looks for revivification and mobilisation against an all-encompassing sense of cynicism
e-flux Criticism • 8th December 2022 Bangkok Art Biennale 2022, “CHAOS : CALM” The titles for the first two editions of the Bangkok Art Biennale (BAB) were catchy rhetorical constructions that signposted a sanguine worldview
ArtReview Asia • 18th October 2022 Thasnai Sethaseree’s Uncontainable Forms Cold War: the mysterious at MAIIAM, Chiang Mai attempts to capture the felt plebeian texture of Thai political history
ArtReview Asia • 11th October 2022 Why Collective Practice in Thailand is Under Threat And is the real truth that it is as innocuous as it is important?
ArtReview Asia • 10th August 2022 Book Review: Memories of the Memories of the Black Rose Cat Veeraporn Nitiprapha's second novel pits maladjusted characters against a land teeming with ‘natural aberrations’
Nikkei Asia • 6th July 2022 Thailand's unique movie posters steal the show Hand-painted montages and their artists play starring role in Bangkok exhibition
ArtReview Asia • 14th June 2022 Ruangsak Anuwatwimon’s Monster In parts Victor Frankenstein lab, wunderkammer, and naturalist’s study, GOLEM 2022 gestures towards collaboration and the agency of organic matter
ArtReview Asia • 19th May 2022 Thailand Biennale Korat Review Artistic director Yuko Hasegawa is not the only puppet master yanking the strings of this bureaucratically compromised event
Nikkei Asia • 18th April 2022 Thai artist combines classical and Buddhist cultures Natee Utarit puts East and West on equal footing in memorable exhibition
ArtReview Asia • 6th April 2022 Apichatpong Weerasethakul: How to Deal with Exploding Head Syndrome What is this most sensitive of artists picking up beneath the placid surfaces of his homeland?
ArtReview • 11th February 2022 ‘ERRATA’ Promises a Corrective to Thai Art History At MAIIAM Contemporary Art Museum, Chiang Mai, an exhibition proposes a new story that goes beyond the confines of nationalist tropes
ArtReview • 4th February 2022 Catharsis Through Satire: the Rise of Bangkok’s Eco-Artists There’s been a surge in environmentally-focused exhibitions in the Thai capital
Nikkei Asia • 14th January 2022 Updating Jim Thompson's legacy for the 21st century Famed museum's new arts center highlights contemporary Thai and international art
ArtReview Asia • 1st December 2021 In Search of Thailand’s ‘Squid Game’ How many Thai dramas can break through the conservatively tapered social lens of the TV industry?