Nikkei Asia • 6th July 2022

Thailand's unique movie posters steal the show

Hand-painted montages and their artists play starring role in Bangkok exhibition

ArtReview Asia • 14th June 2022

Ruangsak Anuwatwimon’s Monster

In parts Victor Frankenstein lab, wunderkammer, and naturalist’s study, GOLEM 2022 gestures towards collaboration and the agency of organic matter

ArtReview Asia • 19th May 2022

Thailand Biennale Korat Review

Artistic director Yuko Hasegawa is not the only puppet master yanking the strings of this bureaucratically compromised event

Nikkei Asia • 18th April 2022

Thai artist combines classical and Buddhist cultures

Natee Utarit puts East and West on equal footing in memorable exhibition

ArtReview Asia • 6th April 2022

Apichatpong Weerasethakul: How to Deal with Exploding Head Syndrome

What is this most sensitive of artists picking up beneath the placid surfaces of his homeland?

ArtReview • 11th February 2022

‘ERRATA’ Promises a Corrective to Thai Art History

At MAIIAM Contemporary Art Museum, Chiang Mai, an exhibition proposes a new story that goes beyond the confines of nationalist tropes

ArtReview • 4th February 2022

Catharsis Through Satire: the Rise of Bangkok’s Eco-Artists

There’s been a surge in environmentally-focused exhibitions in the Thai capital

Nikkei Asia • 14th January 2022

Updating Jim Thompson's legacy for the 21st century

Famed museum's new arts center highlights contemporary Thai and international art

ArtReview Asia • 1st December 2021

In Search of Thailand’s ‘Squid Game’

How many Thai dramas can break through the conservatively tapered social lens of the TV industry?

ArtReview Asia • 16th November 2021

Taiki Sakpisit: Subtle Politics Meets Boldly Experimental Cinema

The filmmaker uncovers the cyclical nature of Thailand’s troubled past

Nikkei Asia • 15th October 2021

Book review: 'Essential Desires' chronicles emergence of Thai contemporary art

Brian Curtin's illustrated survey traces internationalization and internal divisions

ArtReview Asia • 5th October 2021

The Art of Thai Comics

One man’s persistence has brought Thailand’s rich comics tradition to light – now we need to connect its spirit of critique and independence to current times

14th September 2021

The Real Cultural Appropriation: A History of Looting in Southeast Asia

In Southeast Asia the antiquities trade is under closer scrutiny than ever before, but if the region is to keep hold of and preserve its heritage, there’s a long way further to go

ArtReview • 6th August 2021

‘Artists Shouldn’t Have To Create Art for Clean Air’

Art for Air in Chiang Mai took aim at the air pollution which has turned a charmed city into a cautionary tale for Anthropocene-era textbooks

ArtReview Asia • 1st July 2021

Abhijan Toto: How Curators Can Learn from Protesters

Decentralised, self-directed, hyperlocal and globally linked – new ways of working together outside of the constant circulation of the artworld

ArtReview • 17th February 2021

‘Why Are They Here?’ – Bangkok Art Biennale Review

The exhibition is at its best when artworks appear to disrupt the event’s sweeping therapeutic narrative

Design Anthology • 15th February 2021

Indian restaurant Gaa Relocates to a Classic Thai House

Architectkidd channels the celebrated modern Indian restaurant Gaa’s nonconformist nature

Nikkei Asia • 12th February 2021

Retail king resurrects a slice of old Bangkok

How Thailand's Central Group returned to its roots on Bangkok's first paved street

ArtReview Asia • 30th December 2020

Lawrence Osborne's ‘The Glass Kingdom’ Review

Bangkok-based British author Lawrence Osborne’s new novel has much to say about the class divides that cleave Thai society

Nikkei Asia • 2nd December 2020

In 'The Glass Kingdom,' Bangkok is the star

Thailand-based author Lawrence Osborne on his first novel set in the capital