ArtReview • 6th August 2021

‘Artists Shouldn’t Have To Create Art for Clean Air’

Art for Air in Chiang Mai took aim at the air pollution which has turned a charmed city into a cautionary tale for Anthropocene-era textbooks

ArtReview Asia • 1st July 2021

Abhijan Toto: How Curators Can Learn from Protesters

Decentralised, self-directed, hyperlocal and globally linked – new ways of working together outside of the constant circulation of the artworld

ArtReview • 17th February 2021

‘Why Are They Here?’ – Bangkok Art Biennale Review

The exhibition is at its best when artworks appear to disrupt the event’s sweeping therapeutic narrative

Design Anthology • 15th February 2021

Indian restaurant Gaa Relocates to a Classic Thai House

Architectkidd channels the celebrated modern Indian restaurant Gaa’s nonconformist nature

Nikkei Asia • 12th February 2021

Retail king resurrects a slice of old Bangkok

How Thailand's Central Group returned to its roots on Bangkok's first paved street

ArtReview Asia • 30th December 2020

Lawrence Osborne's ‘The Glass Kingdom’ Review

Bangkok-based British author Lawrence Osborne’s new novel has much to say about the class divides that cleave Thai society

Nikkei Asia • 2nd December 2020

In 'The Glass Kingdom,' Bangkok is the star

Thailand-based author Lawrence Osborne on his first novel set in the capital

ArtReview Asia • 3rd November 2020

What’s Behind Northeast Thailand’s Grassroots Art Revolution?

The art scene in Thailand’s Isaan is building momentum through an emphasis on public participation in cultural production

Nikkei Asia • 25th September 2020

Bangkok Art Biennale vows to defy the pandemic

Show to open in October despite worldwide cancellations of artistic events

ArtReview Asia • 3rd September 2020

The Politics of Bangkok’s Motorcycle Taxis

A political history of the city’s striving ‘moto-sai’ – the thousands of rural-to-urban migrants who weave through the Thai capital’s teeming lanes

Design Anthology • 14th July 2020

A Taste of Nostalgia

Kiti Panit General Store in Chiang Mai makes its home in a teak mansion restored by its fifth-generation owner

ArtReview Asia • 19th June 2020

The Death of Leisure: Tulapop Saenjaroen’s ‘People on Sunday’

The Thai artist updates the pioneering 1930 German silent film for our hypercompetitive, productivity-fetishising times

Frieze • 29th November 2019

Flawed but Intermittently Captivating: The Sixth Singapore Biennale

Patrick D. Flores’s southeast Asia-focused exhibition is hopeful, in spite of its sometimes academic tenor

Frieze • 29th October 2019

Khvay Samnang Invokes Animist Spirits Against Environmental Exploitation

A review of ‘A Forest of Spirits’ at Nova Contemporary, Bangkok

Frieze • 30th September 2019

RIFTS: Thai contemporary artistic practices in transition, 1980s-2000s

A review of the Bangkok Art & Culture Center's succinct survey of scene-shaping Thai contemporary art.

ArtReview Asia • 20th September 2019

Aichi Triennale 2019: Taming Y/Our Passion

A review of the fourth Aichi Triennale in Nagoya, Japan.

Prestige Thailand • 1st September 2019

On Familiar Ground

Award-winning architect Boonserm Premthada is a proud product of his humble circumstances and local environment

Nikkei Asian Review • 21st July 2019

Found in translation

A new generation of translators are leading Thai contemporary authors out of the global margins.

Nikkei Asian Review • 5th June 2019

Dragons and Denim

Korakrit Arunanondchai's contribution to the Venice Biennale touches the spirit.

Prestige Thailand • 1st April 2019

Minds and Misdemeanours

Known for using dance to explore the human psyche, DUJDAO VADHANAPAKORN is now trying to disarm it