e-flux Criticism
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27th October 2025
Aichi Triennale 2025, “A Time Between Ashes and Roses”
Prominent visual cues evoke a state of uneasy in-betweenness. Daisuke Igarashi’s illustration of a pink rose springing from skull-strewn rubble—the key visual of this edition of the Aichi Triennale—suggests a despoiled yet salvageable environment, and an artwork displayed in the tenth-floor entrance of the main venue, the Aichi Arts Center, envelops us in one. Crocheted by women in Yogyakarta, Indonesia, Mulyana’s fabric installation Between Currents and Bloom (2019–present) features corals, mar...